Friday, February 22, 2013

-THE DIGABLE PLANETS-


"Our treasure lies in the beehive of our knowledge. We are perpetually on the way thither, being by nature winged insects and honey gatherers of the mind."             
                                                                                      -Friedrich Nietzsche 

THE DIGABLE PLANETS


            The Digable Planets are a hip-hop trio whose two years of fame made them hip-hop hall-of-famers.  The three’s popularity skyrocketed with the release of their first album, On Reachin’ (A New Refutation of Time and Space), in 1993. Ishmael “Butterfly” Buttler, Mary Ann “Ladbug Mecca” Vieira, and Craig  “Doodlebug” Irving are the three insects that make up the group.  They met in New York City, NY and re-invented what hip-hop was to DJs, emcees, and listeners alike. Their smooth jazz and cool hip-hop fusion redefined the genre. The name of the band sprang from the idea that each person is a unique and entire planet.  The band’s homage to insects is based on the observation that insects, unlike humans in many cases, are adept at working together.

The Path to Success

Like most musicians, The Digable Planets did not start their careers so successfully. The trio met in New York City, and the three were immediate friends. They lived together initially in New Jersey, and later they moved to NYC. Their move to NY put them in the Brooklyn ghetto, where they struggled to get the band on its feet. Ladybug was selling shoes until the band received its first record deal in 1992.  Following the release of the album, the group first appeared on Music Television (MTV). Seeing their new and hip style a new audience of listeners from across the globe tuned in to listen the insect's flow. The group created a new spin on the  nappy-headed, flannel-wearing image that many of the West Coast rappers had by projecting a cool, laid-back attitude. This new, hip style instantly became extremely popular and had now literally spread from coast to coast.
 


 Reachin’ (A New Refutation of Time and Space) synthesized elements of funk, jazz, psychedelia, and samba. The album was produced by Butterfly and released by Pendulum/Elektra Records.  All three insects throw down their rhymes over funky and fat tracks consisting of saxophones, trumpets, stand up bass, and other groovy instruments. The lyrics of the songs varies greatly. Each of the trio has a specific style of hip-hop. Like other hip-hop groups (TCQ and Wu Tange), each voice in The Digable Planets is unique and the mixture of the three creates one incredible and head bobbing sound. Samples of Kool & Gang and Herbie Hancock were used extensively, adding a touch of funk. With the release of their hit single, “Rebirth of Slick (Cool Like Dat),” The Digable Planets took off.  They won a Grammy Award for that song! and as of about 3 or 4 years ago, the song appeared in a Tide commercial (see below).  
 
I know, Tide commercials aren't all that cool... But the Digable Planets are, so I am down. The trio’s second album, Blowout Comb, was released 1994. It was not nearly as well recieved as their first, but in my oppinion it is just as good and has some major jams like 'The May 4th Movement Starting Doodlebug.' The whole album consists of amazing samples and dope flows with shout outs and tracks from funk, jazz, and hip-stars like James Brown, Grandmaster Flash & The Furious Five, and, believe it or not, they use a drum beat from a late sixties Bill Cosby song titled Get Out of my Life, Woman.

Butterfly 

                 Ishmael “Buterfly” Buttler was born in Seattle in the early 1970s.  He moved around the country with his father after his parents’ divorced, living in Baltimore, Philadelphia, Harlem, and Brooklyn. Both of his parents were heavily involved in the civil rights movement, and it appears that this influenced Butterfly’s political views.  His bookshelves include books by Karl Marx, members of the Black Panthers, Mao Tse-tung, and Jean-Paul Sartre. He was exposed to jazz via his father and his extensive jazz collection.  He also played saxophone as a teenager. He attended the University of Massachusetts on a basketball scholarship, but left the university before completing his degree to pursue a career in the music business.

Doodlebug  (AKA Cee Knowledge)

Craig “Doodlebug” Irving was born in Philadelphia in the late 1960s.  Jazz was a formative part of his childhood, as it was with Butterfly.  In an interview with Ann Powers of Spin, he said, “My mother would always sit around, reading a book or the Sunday paper, and listen to jazz.  My aunt taught me about Bessie Smith and Billie Holiday; she was always playing the records and talking about them.”  From Philadelphia he moved to Washington, D.C., where he attended Howard University.  At the university, he made a name for himself as a DJ.  He also was affiliated with members of the Five Percent Nation of Islam and adopted some of the group’s ideology of black power.  When the band met in New York, he was a member of the Dread Poets Society.  He has said that his biggest struggle has been balancing his life as a touring musician with his life as a father.  When asked to define his musical style in three words, he answered “jazz, jive, and poetry.”

Ladybug Mecca (AKA LadyBUGMEK AKA Tracy Triceratops)

Mary Ann “Ladybug Mecca” Vieira was born in Brazil in the mid-1970s but spent most of her childhood in Maryland. Like many other high-schoolers, Ladybug couldn’t wait to get out of high school. She hated it, and switched schools four times. She used rap as a method of escape from the stressful life of a student.
When I am asked to list female rappers that have flow, only a few come to mind and Ladybug is at the top of that list. I can hardly count them one hand: 1. Ladybug Mecca, 2. Yolandi of Die Antwoord, 3. Jane Doe, 4. Iggy Azalea (B-Rookies Iggy A Blog), and 5. It’s hard to fill the spot, but if it were up to me, I’d call it a tie between Lauryn Hill, M.I.A., and Nicki Manaj.  There is no doubt Ladybug takes the gold.


HERE COME THE DINO 5
After her career with her fellow insects Ladybug changed her nickname to Tracy Triceratops, one of the 5 Dino Five members. The rest of the Dino crew consists of DJ stegosaurus (Prince Paul), MC T-Rex (Chali 2na of Jurassic 5), Billy Brontosaurus (Wordsworth of eMC), and Teo Pterodatyl (Scratch of The Roots). The extremely talented five mix their sound and flow together to create an incredible sound suited for all ears. The group is primarily directed towards children but I think any one can “Get down with the Dino 5 song” (Tracy Triceratops). They have released an album and appeared on Broadway and will likely hit a popular children’s television station very soon. The Dino’s tell a story of friendship, teaches the kids their ABC’s and life lessons while also letting them boogie down to the dope beats and fat rhymes. 

The Divide

Digable Planets broke up in 1994 after Ladybug’s parents died quickly one after the other. Different interviews’ content varies on the subject of what broke up the band in the end. Most say artistic differences were the primary cause of the split up others say that Ladybug's loss was the cause.
Reunion? Or never again
There have been only a few reunion shows. The band’s last record release was in ’94 when they split, but in 2005 the group surprised their fans with a reunion tour. Butterfly, Doodle, and Ms. Mecca played a select number of shows, a few of which were canceled. Starting in 2006 Ladybug stopped agreeing to more and more gigs. In 2008 The Digable Planets hit the stage again, and crowds went wild. The tour was planned to last through ’09, and indeed it did – only something was different. Ladybug Mecca was not present. Though Doodlebug and Butterfly could move the crowd, all audiences noticed the absence of Ms. Mecca. Her unique flow and the addition of estrogen made The Planets what they were. When asked about the most recent tour in 2012, Mecca’s spokesperson responded:
"Though a dialog has started about possible plans in the future, nothing has been contracted yet. All reports of Digable Planets, and/or Ladybug Mecca's appearance with them, are false and inaccurate." "Though a dialog has started about possible plans in the future, nothing has been contracted yet. All reports of Digable Planets, and/or Ladybug Mecca's appearance with them, are false and inaccurate."

No one is quite sure why exactly Ladybug Mecca has this beef with Doodle and Fly. Perhaps there is none, and she is just busy with the Dino 5, collaborations with other artists, and her own career as a rapper and DJ. Last year, she performed at LOLA in St. Louis with an amazing two-hour set. All Digable Planets fans, like myself, are hopeful for another reunion tour, but currently things aren’t looking too hopeful. In the meantime, I am going to go buy some tickets for Doodlebug and Butterfly’s next gig in the 512.


Monday, February 11, 2013

Yolanda Whitaker

Growing Up


Yolanda Whitaker, also known as "Yo-Yo" was born on August 4, 1971 in south central Los Angeles, California. According to Ethnic Los Angeles, In 1970, the South LA area was 80% black and 9% Latino. South LA was an area of Los Angeles seperated from the rest of LA by race. Additionally, the area had a bad reputation for gangs, violence, drugs, and poverty. The area was filled with hip hop culture, from the graffitti style art work that covered the area's streets, to the famous hip hop groups, such as N.W.A, coming out of south cetral LA and surrounding areas like Compton. Whitaker was one of eight children and was raised by a single mother,  who worked as a school security guard. Whitaker attended George Washington Preparatory High School, a public high school in the Los Angeles Unified School District. Like the neighborhood Whitaker grew up in, "The Prep," as George Washington Preparatory High School was called, was predominantly African American and remains so to this day. 

Early Years as an Hip-Hop Artist 

At an early age, Whitaker developed an interest in sexism that was driven by her inspiration, her mother. She believed strongly that it was important to empower women, especially those who grew up in circumstances similar to her own upbringing. By 16, her rapping had earned her a reputation associated with her interest in sexism. Essence quoted her as saying,

 I came out rapping from a womans point of view cause I saw that no one was speaking up for the ladies. And I dont give a damn if men label me a feminist. Its about time someone gave men feedback and said, Im not your ho or your bitch, Im a strong, intelligent black woman!

By 19, Whitaker's reputation as a feminist had caught the attention of Ice Cube. Ice Cube approached the young artist at a Flea Market, and, according to Dimitri Ehrlich, “liked the way she sassed him.” Having earned a misogynistic reputation that received much criticism, Ice Cube signed Yo-Yo to his production company, Street Knowledge, with the hopes of the added feminist element alleviating some of the criticism for his lyrical disrespect towards women. Whitaker quickly became coined Ice Cube's protegee and soon made her first appearance in the business on Ice Cube's album AmeriKKKa's Most Wanted, performing "It's a Man's World". The track was a satire of main-stream hip-hop's message, featuring a battle between Ice Cube, the typical misogynistic rapper, and Yo-Yo, a self-proclaimed feminist. Critics dubbed Yo-Yo as a surprise, referring to how well she held her own against one of the best in the business. The album reached gold status just two weeks after its release and reached platinum after just two months.  Following her appearance on Ice Cube's album, Ice Cube assisted the young artist in getting a deal with East West Records. Whitaker then released the first album of her own, Make Way For The Motherload, produced by Ice Cube's company Street Knowledge. Ice Cube made an appearance on the album in "You Can't Play With My Yo-Yo" and "What Can I Do?". The album, although peaking at only #74 on the Billboard 200, peaked at #5 on the Top R&B/Hip-Hop Albums. Whitaker's first album gained praise from Joan Morgan of Village Voice, who said, “but feminist remains a word so loaded even a super-woman like [rapper] Queen Latifah steps from it. So as hip hop’s first self-proclaimed feminist activist, 19-year-old Yo Yo should be given her props on bravery alone,” and from Kim France of Rolling Stone, who called Yo-Yo “the strongest female rapper to come out of the Los Angeles scene.”


It's A Man's World

IBWC

Whitaker was determined to make a difference and give hope and assistance to women in the situation from which hip-hop had delivered her. At just 19, Yo-Yo dubbed her hip-hop crew IBWC and established IBWC- Intelligent Black Women's Coalition. The IBWC's web page gives the following description of the organization:

Intelligent Black Women's Coalition (IBWC) is a members only organization
founded by Yolanda YoYo Whitaker. Our primary focus for 2013 is to stop abusive
behavior within the community. Our S.T.O.P campaign targets inner city youth ages 11-25. Verbal, physical, mental, emotional and sexual violence is at an all time high. The changes in cultural attitudes and music's violent masculinity has redirected our community and created an epidemic of violence. Our goal is to bring awareness, find ways to stop the abuse and provide resources for those who seek help.
The organization was designed to do the same thing Yo-Yo had developed her hip-hop style to do: empower women. In a quote from Essence, Yo-Yo stated that the organization was created to "help sisters of all races to make positive changes in their lives." Yo remarked, “I’m not Sister Yo Yo, one of those Afrocentric, X-cap wearing niggas that won’t bust a gut for the cause. I don’t want to be one of these sisters on a black thing mission. I’m on a sister-to-sister mission and that’s worldwide.” IBWC allowed Yo-Yo's mission to evolve into a world-wide mission to work together with other women towards Yo-Yo's goal of addressing the problems of urban society and erasing misogyny from society. Today, members pay a fee of $125.00, which helps the organization work towards their goal. Members are also invited to both local and national conferences aimed at building the organization further. Her first album, Make Way For The Motherload, featured "The I.B.W.C. National Anthem."

Later Albums

Yo-Yo wrote four more albums in the seven years following the release of her first album: Black Pearl, You Better Ask Somebody, Total Control, and Ebony. All but Ebony were produced. Black Pearl was produced in 1992 and was well received by critics who admired her album's positivity that countered the main-stream style. However, the album was not a hit with the general public and was a disappointment in album sales. A popular critique centered around the album's last track, "Will You Be Mine." The track, meant to be seductive, comes off as an awkward attempt at sexy. You Better Ask Somebody, released in 1993, fared better with the general public, reaching #107 on the Billboard 200. Two hit singles were taken out of the album, "West Side Story", which reached #14 on the Hot Rap Singles, and "The Bonnie and Clyde Cycle", which featured Yo-Yo's mentor Ice Cube and reached #1 on the Hot Rap Singles. The last album, Total Control, was released in 1996 and was not a success. It reached only #46 on the Top R&B/Hip-Hop Albums.

Acting

Yo-Yo enjoyed a brief acting career for the nine years after her debut in 1991. The highlight of her film career was her appearance in the 1991 film Boyz in The Hood, which also featured her mentor, Ice Cube. Her acting career also lead her to appearances on TV shows such as New York Undercover. More recently, Yo-Yo has done voice-work, including acting as a voice-actor in Grand Theft Auto: San Andreas. Yo-Yo received an Emmy Nomination for her role in Stomp, a traveling percussion group that creates physical theatre performances.

Yo-Yo's School of Hip-Hop 

Most recently, Yo-Yo has founded a Hip-Hop school with the following mission statement, taken from the school's website: "YoYo’s School Of Hip Hop aims to change the lives of our youth through love, academics and performing arts, developing fearlessness, self-discipline, confidence and team work." On the homepage, A quote from Yo-Yo credits hip-hop for giving her the resources, relationships, and access that have made her dreams come true. She says that she believes she was given what she has so that she could go back to where she came from to make a difference, and that is just what she is doing with her school, which offers a variety of courses for children from 7 years of age to 17. The courses range from theater to vocal lessons to hip-hop dance lessons. Even though her last albums may not have been a success, they served their purpose: to start a movement within hip-hop to empower women.

Sunday, February 10, 2013

Lil Wayne - the man with the most entries on the Billboard Hot 100 chart


Early life
"I always believe that to be the best, you have to smell like the best, dress like the best, act like the best. When you throw your trash in the garbage can, it has to be better than anybody else who ever threw trash in the garbage can."
by Lil Wayne

In 1982, a future rap star born in New Orleans, Louisiana. Lil Wayne (Dwayne Michael Carter, Jr.) grew up in a divorced family with his 19 years old mother. His father abandoned the family after the divorce, which later on, Lil Wayne preferred people to call him Wayne instead of Dwayne because his father is not in his life and will never be. Harsh childhood encouraged Lil Wayne to be outstanding and unique. He recorded his first rap song at the age of eight and met rapper Bryan Williams to enlighten his music life. Lil Wayne decided to drop out of the school as he became a professional rapper. 

Music career in the '90s

"I'm not an example for how people should live their lives. Never in my life would I ever set out to be an example for people on how to live their lives. If you need an example for how to live, then you just shouldn't have been born. Straight up."
by Lil Wayne

Lil Wayne joined the Hot Boys in the age of fifteen as the youngest member in the group. He began his hip hop career with the Hot Boys and released many tracks that were voted to be on the Billboard Hot 100, which is considered pretty successful for a young teenager in his early music career. Several years after being a “rookie” in the rap industry, Lil Wayne’s first debut solo album, The Block Is Hot, was released when he was seventeen. The album was so popular that the Source magazine awarded Lil Wayne to be the “Best New Artist”. But unfortunately, Lil Wayne’s second and third albums did not reverberate the rap fans because the maturity and the quality of his rap songs still had not reached his fellow Hot Boys members…


Climax of his music career
"I don't think life is about a pace, living slow or fast. I think you just live, y'know what I mean?"
by Lil Wayne
In the summer of 2004, Tha Carter was released. Rap fans would say, by releasing this album, Lil Wayne became the musical fashion trend. Not only the unique vocal style, husky sounds, but also his now-signature outlook, the dreadlocks, became the new significant recognition of Lil Wayne and hip hop culture. Becoming a household rap star, Lil Wayne was named to be the president of Cash Money Records, a hip-hop record label founded in 1991. Despite how successful Tha Carter was, Lil Wayne reached his hip hop fans through mixtapes with other singers instead of follow up another solo album for the next two years. Between his two years musical life as a featured performer, Lil Wayne participated in many musical works that vocalized some social consciousness. For instance, the track “Georgia Bush” critiqued the former president’s responses to the disaster of Hurricane Katrina on the people of the United States. 
Personal life

"I like being misunderstood."
by Lil Wayne
In 2007, Lil Wayne was arrested because the police discovered him smoking marijuana near the bus station illegally and later on discovered a pistol in his bag. Lil Wayne was expected to receive a one-year jail sentence, but the decision was delay through his "teeth surgery" and the basement fire in the courthouse. In May 2010, Lil Wayne was sentence to a year in jail on Rikers Island. Despite of illegally possessing a weapon, smoking weed and cigarettes on one hand, is Lil Wayne’s own willingness, but on the other hand, smoking could also put certain amount of pressure on his channel that auto-tunes his voice naturally. Smoking makes Lil Wayne’s rap unique. People might argue his imprisonment of doing drugs is what he deserves, but on the contrary, isn’t smoking somehow makes Lil Wayne’s rap so perfect and unique because of his husky and raspy voice? 




Down fall of Lil Wayne

"Honestly, I don't listen to nobody else's music but my own. It's kind of like sports to me. You don't see Kobe Bryant at a LeBron James game - he just works on his own game. And that's what I do. I only listen to me, so I can criticize and analyze and all those things."
by Lil Wayne


It is impossible to watch Youtube videos without seeing the comment “This is better than Lil Wayne” now a day. People might say: “obviously, Drake is always better than Lil Wayne, but how in the world can Lil Wayne gets more shit than any hip hop singers can?” For a rapper who had his debut album at the age of 17, Lil Wayne is often overlooked by the people as a significant element of modern hip hop. People believe Lil Wayne is no longer able to produce rap songs like “lollipop” or “A Milli” because people expected from him too much after his incredible mixtape albums like Tha Carter III, but when we listen carefully to his current rap songs, that energetic and unique rhythm is still there. We can say that people are no longer interesting on worshiping Lil Wayne, but we can never deny his contribution to the hip hop world. 

Lil Wayne - 6 foot 7 foot ft. Cory Gunz


Lil Wayne - Lollipop ft. Static